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"Guys and Dolls" Review

 

BABIRRA MUSIC THEATRE,

“GUYS AND DOLLS” by Based on stories and characters of Damon Runyon

Reviewed 28/5/2004 by John Gunn for  “Curtain Up” - 3CR Sundays at One (855AM). 

This musical fable based on characters by Damon Runyon has been a success story since it burst upon the stage of the 42nd. Street Theatre in November 1950 where it happily stayed for 1200 performances and has enjoyed many revivals since that time. Today it is considered a classic of the American musical theatre.

The story tells us of the doings of some rather shady yet appealing characters that haunt Broadway, they are what I would call today small time gamblers. This piece concentrates on Salvation Army lass Sarah Brown trying to keep the Save-A-Soul Mission open…  Sky Masterson, the head  honcho in the gambling world, who incidentally is smitten with Sarah…  Nathan Detroit, who for the last 14 years has been engaged to the star of the Hot Box Club, Miss Adelaide, and various other characters such as Nicely Nicely Johnson,  Benny Southstreet,  Harry the Horse etc. The moral is good winning out over evil and that (pardon the pun) Love Will Find A Way.

This production under the capable direction of Craig Martin makes for a very enjoyable evening at the theatre and the right medicine to cheer us up in this cold weather. Basil Hawkins’ orchestra gives the excellent score a nice Broadway sound and what a treat to have music that you can actually come out humming. Yes we all know ‘Sit Down Your Rockin’ the Boat’,  ‘Luck Be a Lady’,  ‘Guys & Dolls’ and ‘Bushel and a Peck’  along with ‘Adelaide’s Lament’.

The many sets were fine with imaginative scenic work from Claire Marmur although perhaps a palm or two in the Havana scene would have added to the atmosphere, likewise the costumes for this scene.  Di Shepherd’s choreography was well drilled and not beyond the capabilities of the performers and costumes generally looked right for the period. Lighting, whilst imaginative in design, did on a couple of occasions tend to swamp the production, taking centre stage to the actors (with not all faces clear), particularly in the ‘Guys and Dolls’ number with Nicely and Benny.   A couple of scenes could have been tighter, i.e. the opening Broadway street scene and the crap game in the sewer but viewing the body of work as a whole I’m sure the show will settle well.

Now to the cast, generally speaking it was a good ensemble piece, with some stand out work from the very well cast principals who were good actors and strong singers: 

Peter Stanbrook was a smooth and good looking Sky Masteron, a polished performance,  well thought out;   Joanne Blankfield  gave the role of Sarah Brown plenty of verve, excellent vocally and  a good drunk scene – these two lead roles can be very soppy in the wrong hands and it was a credit to both performers that they lifted the roles off the page to really give them life – also it’s important to get every ounce out of these two characters so that they don’t end up playing second fiddle to the comedy roles of Nathan and Miss Adelaide.  

Michael Laity as Nathan Detroit has lots of vocal and physical energy and good body language – excellent work here and he reminded me of David Atkins, Victoria Zainal as Miss Adelaide was a knockout, she sang up a storm and never missed a beat, this is another leading lady to watch.

Both these roles were well characterised and the two performers made a great comedy duo.

Scott Hili was strong as Nicely Nicely Johnson, nimble on his feet with good vocals.  We also saw nice supporting work from Wayne Motton as the Salvationist Arvide Abernathy (‘More I Cannot Wish You’), Jim Johnson as Lt. Brannigan,  Jo Buckingham as Agatha  and a cast too large to mention all.

To sum up, judging by Friday night’s audience,  Babirra’s production of “Guys and Dolls” is definitely a show to send you home happy, it continues at the Whitehorse Centre until 12/6 and you can book on 9853 9261.  I did enjoy it.